LN jg1985-06-01.jgb.all.aud-corley.20921.shn2flac

Note my spelling of “Reuben And Cérise”. This is Hunter’s title in Box of Rain (Hunter 1993, 181-183),
followed by Dodd (2005, 360-362) and Allan. On Cats Garcia spelled our lady’s name
“Cherise” (as jerrygarcia.com continues to do). Deaddisc
is inconsistent, labeling it “Rubin And Cherise” on the album page, but
“Reuben And Cerise” (no accent
aigu) on the song
page; I believe the alternative spelling of our charming mandolinist is
strictly incorrect, and hers only pedantically so. FWIW, anyway, all that. UPDATE 2021: I think I will just go with “Reuben And Cherise” like a normal person.

! Jerrybase: https://jerrybase.com/events/19850601-01

! JGC: https://jerrygarcia.com/show/1985-06-01-the-stone-san-francisco-ca/

! db: http://etreedb.org/shn/20921 (this fileset).

! map: http://goo.gl/maps/L0BBt

! venue: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/07/stone-mothers-412-broadway-san.html

! band: JGB #21b, THE Jerry Garcia Band (http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html).

! R: field recordist: John Corley

! R: field recording equipment: 2x Nakamichi 700 > Sony TC-D5M

! R: transfer: MAC > DATx > CDx (Jim Powell); CD > EAC0.9b4 (offset corrected, secure mode, QPS QUE 2410) > minor level adjustments at the beginning of each set (SF6) > tracking (cdwav) > sector boundaries confirmed (shntool) > SHN (shorten 3.4) via C.Ladner, misSHN in the rain, 12/03. shn2flac JGMF.

! historical: More explorations in the darkest period of Garcia’s life. That’s highly contestable, of course. One might think the last 18 months were worse, and they probably are, objectively. But I think he had lost hope by that time, and he didn’t feel it as acutely. This period a decade earlier, by contrast, juxtaposes how down in the deep he was with where he still had a chance to be, at 43 years old, and how much he had left to do. One other thing about this show: *very* exceptionally, Garcia is not playing his Doug Irwin guitar (which
one? I had written Rosebud, but maybe Tiger? I don’t know the guitars)
he’s playing one made by Modulus Graphite (see Golden Road, Summer 1985, p. 9).

! R: s1t01 CUTS cuts in

! P: s1t01 @ 4:40 love Jerry’s guitar tone and work here. Sounds great.

! P: s1t02 KOHD Garcia bending some huge notes late 6. This is great. Long vocal extension of “door” over 9 minute mark. Garcia is feeling this song.

! P: s1t03 TUOY JG is taking a great solo, it’s not very loud on the tape, but it’s a great solo, and the crowd is showing him some love, in the 2- minute mark. Nice guitar work continuing over 3. Very good guitar playing.

! R: s1t05 Deal clipped, certainly a tape flip there. So that was side A.

! P: s1t05 Deal solo from 3:29 blisters, mid-83 level grunge, but with some of his longer sustain from later. Still nice soloing, nice extension 4:19, with mid-length phrases, still raging 4:30-4:40, a little extra turn, long scale, over 5 cutting them in halves or quarters, more wail 5:09. They get nice some space over 6. I would have liked to see a few more minutes of wailing here. They are pretty clean back to “don’t you let that Deal go down”, Jerry good energy to end even if his voice sounds shot.

! P: s2t01 MITR Jerry is giving it his all by tackling this song. He knows he sounds rough, but it’s “Mission In The Rain” – he’s “ready to give anything for anything” he takes. Gallops into the song’s upbeat part, the ladies backing him up strongly 2:30. This tape really captures the feeling of this hometown show. Beautifully. “Ten years ago, I walked these streets, my dreams were riding tall. Tonight, I would be thankful, Lord, for any dream at all … come again … walkin’ along in the The Mission, in the rain, come again …” Do you know San Francisco? Jerry does. If you know someplace truly amazing, but you’re not from there, and that drives you crazy – you wish you were from there, maybe only secretly you wish it, but you aren’t, and the ones who are are, and they know it, and they know that you know it, and there’s no denying it. It doesn’t have to be actively, obnoxiously spotlighted. I am a little jealous of Jerry for having San Francisco in his bones, the salt, the portal grit, the depth of it. It seems that Mission In The Rain (#song-M), words by Robert Hunter and music by Jerry, is directly biographical, Hunter writing about Garcia’s attachment to the city, their shared attachment, but Garcia’s native DNA lock on it. I bet his body chemistry was off when he wasn’t soaked in fog. xxx The Mission xxx. The way he sustains his N at 3:20 ish, on come agaiN, he is accenting very nicely. Now it’s the same spirit with his guitar 3:40ff, not in a rush. In some interview xxx, when asked about his musical image of himself, it was as a “Mission Street R & B guy”. What an amazing local pointil that is. Jose (Joe), Jerry’s father, was a jazzman in the 1930s, before running into union troubles, switching over to running a bar, and then drowning before young Jerry’s eyes on August 25, 1947. The song loses the thread a few times, loses a little steam, but there is something delightfully intimate about this performance, Jerry and his local fans in his local haunt in his city.

! P: s2t03 Gomorrah vocals sound fatigued.

! P: s2t04 RC Garcia’s voice is shredded, but this has tons of energy. Melvin has some nice horny synth working.

! P: s2t05 TUIB no words leaving stage. Crowd seems enthused, happy.