LN jg1983-11-12.jgb.all.mtx.141451.flac1644
update: d’oh! Already posted this one.
Crispy clean but flat and unbalanced sbd meets in-your-face but unbalanced Menke aud to make for a sweet matrix. Thank you Andrew F. for your work!
The show? It’s late ’83. The sets are getting shorter. The DLG is fucking killer, and the Deal makes up in enthusiasm what it lacks in precision, which summarizes the show as anything else I might say.
The ad is a great illustration that Garcia, alone among the GD guys, systematically refused to leverage his GD ties to sell tickets to his side projects. Here, we see Mickey showing no such reluctance. Of course, by this time Garcia didn’t need leverage to sell tickets. He just needed a pulse and a guitar.
JERRY GARCIA BAND
Keystone Palo Alto
260 S. California Avenue
Palo Alto, CA 94306
November 12, 1983 (Saturday)
*Matrix* shnid-141451
–set I (5 tracks, 42:18)–
s1t01. [0:21] How Sweet It Is (To Be Loved By You) [7:06] [0:25]
s1t02. Catfish John [10:07] [0:07] %
s1t03. [0:08] Simple Twist Of Fate [11:11] [0:15] %
s1t04. [0:05] Cats Under The Stars [7:24] ->
s1t05. Run For The Roses [4:59] (1) [0:08]
–set II (4 tracks, 47:36)–
s2t01. Rhapsody In Red [9:08] [0:13] %
s2t02. [0:13] Knockin’ On Heaven’s Door [13:20] [0:11] %
s2t03. Don’t Let Go [16:03] ->
s2t04. Deal [8:12] [0:16]
! ACT1: JERRY GARCIA BAND #21a
! lineup: Jerry Garcia – guitar, vocals;
! lineup: Melvin Seals – organ;
! lineup: John Kahn – bass;
! lineup: David Kemper – drums;
! lineup: DeeDee Dickerson – vocals;
! lineup: Jacklyn LaBranch – vocals.
JGMF:
! Recording: symbols: % = recording discontinuity; / =
clipped song; // = cut song; … = fade in/out; # = truncated timing; [ ] =
recorded event time. The recorded event time immediately after the song or item
name is an attempt at getting the “real” time of the event. So, a
timing of [x:xx] right after a song title is an attempt to say how long the
song really was, as represented on this recording.
! Jerrybase: https://jerrybase.com/events/19831112-01
! db: http://etreedb.org/shn/20746 (Corley MAC, shnf, not in
circulation); http://etreedb.org/shn/22512 (4th gen sbd, shnf);
http://etreedb.org/shn/25629 (MSC flac); http://etreedb.org/shn/141450
(unattributed* MAC flac); http://etreedb.org/shn/141668 (Corley 4th gen flac); etreedb.org/shn/142118 (MSC flac1644); http://etreedb.org/shn/141450 (Menke MAC); http://etreedb.org/shn/141451 (this fileset).
! map: https://goo.gl/maps/7AzlG
! JGBP:
http://jerrygarciasbrokendownpalaces.blogspot.com/2012/11/keystone-sophies-260-s-california-ave.html
! band:
http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html
! P: overall: two relatively short sets. I have been
engaging the 90s a bunch lately, and sets were typically running 60-80 minutes.
We aren’t into Jerry’s Rock Bottom period just yet, IMO, but short sets were a
leading indicator. That said, while I didn’t note anything particular from set
I, the Don’t Let Go in set II is outstanding, with all kinds of modal jazzy
spacey goodness, and overall, as I say of Deal, the show makes up in enthusiasm
what it sometimes lacks in precision.
! R: Sources: Matrix of SBD ID-25629 & AUD ID-141450.
! R: Transfer: WAV > Wavelab > CD-Wave > TLH >
FLAC 1644 tagged, Andrew F 03/2018
! R: Note: Gaps in the SBD source back-filled with Corley
AUD portions taken from ID-22512; How Sweet It Is 0:00 > 4:22, and Rhapsody
in Red 8:34 > 8:49.
! R: What a great matrix. The sbd is flat as a pancake, all
vocals no guitar, the aud is all guitar and drums, no vocals.
! s1t05 (1) JG: “We’re gonna take a break for a few minutes, we’ll be right back.”
! P: s2t01 RIR is energetic.
! P: s2t03 DLG this is really good. I can’t pinpoint many
specifics, but it’s very jazzy and nicely spaced out. Late 15 again, but all
throughout, this DLG spilled over with great ideas, then a true segue into
Deal. Nice
! P: s2t04 Deal the Elmer Fudd vocals out of the gate are
not great. He seems to skip a turn at a verse in the 3 minute mark, gets right
to the guitar playing, which is strong. It’s a little sloppy here and there,
with Jerry just charging ahead and forcing various and sundry drummers and
vocalists to adjust on the fly, but what it lacks in precision it makes up in
enthusiasm.
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