Simple Twist of Fate: JGB #23 at the Kaiser, November 11, 1994

LN jg1994-11-11.jgb.all.aud-CMC5-mk4.145714.flac1644

Like so many of the late-era shows that I have listened to in the last couple of years, this one pleasantly surprised me. The only thing that troubles me is that it brings me into aesthetic disagreement yet again with Nick, who called this show “bad enough to make you want to give Jerry a hug and make him a big pot of soup”. I get it. There are certainly parts of this show where Garcia is lost and mumbling, his voice shot (even has moments as bad as 8/8/93), everything off-kilter. “Wonderful World” supplies several such moments. But I find some incredibly touching and beautiful stuff here, as well, I think it’s overall pretty good (for the era …), and I see that with a first set over an hour and a second clocking in over 80 minutes, the man is still putting it out there.

 

 

I guess, in looking back over my notes, the one tune that I really like here was “Simple Twist Of Fate”, which is odd because, despite its awesome autobiographical resonance (“waterfront bar … where the sailors all come in”), I don’t usually love it. Kahn’s bug … errr … feature … is pretty unobjectionable, just about the only time he’s audible all night. Donny sounds good to me (that tape captures the drums nicely), Melvin is good, the ladies are very far forward, especially helping Jerry with the lyrical progression of “Wonderful World” and generally putting some lung into the vocals to make up for his that are lacking.

The Maker is a nice microcosm of the show. It’s just achingly flawed. He sings the “body is bent and broken” line in the wrong key, and then compensates with a little whoa-oh-oh on the “by long and dangerous sleep” line. (I also noted the body bent and broken line on the show two months before, 9/10/94 in Reno.) He sound absolutely exhausted with living.

“That Lucky Old Sun” gets a merciful e-brake at just over 5 minutes, half its typical length, which is fine. The “Don’t Let Go” never really goes anywhere, though I did find him doing a repeated percussive blue note that felt kind of insistent. Some good fanning in “Deal”, but it’s all note and no power (unlike ten years before, when the opposite was true).

His last gig at the venerable Kaiser, where many a great time was had. Anyway, more data.

Jerry Garcia Band
Henry J. Kaiser Convention Center
10 Tenth Street
Oakland, CA 94607
November 11, 1994 (Friday) – 7:30 PM
CMC5-MK4 MAD shnid-145714

–set I (7 tracks, 63:53)–
s1t01. [0:04] Cats Under The Stars [11:16] [1:30]
s1t02. They Love Each Other [7:31] [2:33]
s1t03. Mission In The Rain [9:31] [0:33]
s1t04. Run For The Roses [5:18] [0:36]
s1t05. Simple Twist Of Fate [11:52] [0:16]
s1t06. My Sisters And Brothers [3:53] ->
s1t07. Deal [8:53] (1) [0:07]

–set II (8 tracks, 80:36)–
s2t08. [0:11] How Sweet It Is (To Be Loved By You) [6:37] [0:33]
s2t09. Shining Star [20:09] [0:24]
s2t10. Tore Up Over You [8:18] [1:55]
s2t11. The Maker [11:47] [0:13]
s2t12. Wonderful World [4:31] [0:12]
s2t13. Don’t Let Go [14:10] [0:08]
s2t14. That Lucky Old Sun [5:14] ->
s2t15. Midnight Moonlight [6:08] (2) [0:06]

! ACT1: JGB #23
! lineup: Jerry Garcia – guitar, vocals;
! lineup: John Kahn – bass;
! lineup: Melvin Seals – keyboards;
! lineup: Donny Baldwin – drums;
! lineup: Jacklyn LaBranch – backing vocals;
! lineup: Gloria Jones – backing vocals.

JGMF:

! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; … = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the “real” time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.

! Jerrybase: https://jerrybase.com/events/19941111-01

! JGC: https://jerrygarcia.com/show/1994-11-11

! db: https://etreedb.org/shn/15882 (Neumann KM440 shnf); https://etreedb.org/shn/145714 (this fileset).

! band: http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html

! map: https://goo.gl/maps/syxJeJyHJMB2

! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/02/henry-j-kaiser-auditorium-oakland.html

! R: Source Info: FOB Schoeps CMC5 Mk4-> DAT

! R: Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90’s); Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel, Late 90’s and March 17, 2019.

! R: quite a nice tape

! P: overall: listening evening of 8/17/2019 I had a warm feeling about this. The vocals are low in the mix, and that’s good, because he sounds pretty ragged. Now, returning to WW, then back to The Maker to check myself, I am struck that the vocals are *really* fatigued sounding. There’s a fine balance with these Old Jerry shows, between appreciating the weary beauty of an old man and feeling upset at how rough it is.

! P: s1t01 CUTS kicks the show off pretty well.

! P: s1t05 STOF I love this! I have listened to it a second time and still love it. Jerry gets almost all of the lyrics right. John does a feature 7:25-9:15 which is not as much of a bug as at often was. It goes to 9:15, and it’s not terrible. But the key to this is Jerry’s clarity with the lyrics – very good.

! P: s1t07 Deal some fanning in 6. Not powerful like ten years before, but a game effort.

! s1t07 (1) no setbreak announcement

! P: s2t11 The Maker he sounds so tired. @ 3:24 “Body bent and broken” he sings out of the key he had arranged for it. But then he gives a “whoa-oh-old ?? and dangerous sleep”, forgets the rest of that verse. Pitch-bending 9.

! P: s2t11 WW bad vocals out of the gate, and a lyrical miscue. OMG, now his voice is gone. Donny hits an extra beat.

! P: s2t13 DLG he fumbled the first lyric, couldn’t remember the second one so took an extra turn. He sounds lost and very rough, hasn’t gotten a lyric yet. Oof.

! P: s2t14 TLOS he has to pluck the start several times. It must have been hard to try to drum for him in this period, as he is trying to figure out how stuff goes. This version is paced more quickly than most. Oh goodness, he repeatedly loses himself here, guitar and lyric. Ends prematurely, but it was a mercy killing. At 5:14, that’s gotta be the shortest TLOS on record.

! s2t15 (2) JG: “Thanks a lot. See y’all later.”


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