The titular line comes from an interview Garcia gave ca. November 22, 1975 to a Twin Cities journalist, Jon Bream, and references JGB #1. It could be that this was true all along, and the plan was just to monetize the Jerry Garcia name in the new Band, as well as Nicky’s name, for the couple of tours the band did in October and November 1975, and then to call it quits in the new year. That’s not how the conventional narrative, deriving from Blair Jackson’s interviews with John Kahn, has it. The conventional narrative has it that Nicky was just too much of a wreck and was cut loose, the implication being that the band ended before John and Jerry had initially planned.
The quote is consistent with either story. It could be that this was always the plan, but no earlier interviews elicit the information. But it’s also possible that by Thanksgiving Jerry had had enough with Nicky, and the “contractual obligations” were the musical equivalent of “irreconcilable differences” in marriage settings and “spending more time with the family” in political ones.
Anyway, the November 22, 1975 show at the St. Paul Civic Center Theatre was a very long one, something like three hours of music, and was mostly captured in a totally beautiful recording by Greg Overlid which especially picks, without much beyond air in the way of mediation, the play of Jerry’s fingers and strings. The “Let It Rock” shows off Nicky’s virtuosity, “Russian Lullaby” benefits from a peppy tempo, and there’s a singleton goof with “Blackbird” as well as either a single or rarity, noted in one of the reviews, of “Old Man River”, composed by Jerry’s namesake Jerome Kern.
But the show, on this listen, doesn’t slay me. The closing medley of “Let’s Spend the Night Together -> Edward the Mad Shirt Grinder” was the band’s big, huge jam vehicle, and as it goes, usually so goes my assessment of a JGB #1 gig. In this case, it never really achieves escape velocity, so I find myself a little disappointed, overall.
LN jg1975-11-22.jgb.161mins.aud-overlid.141918.flac2448
Jerry Garcia Band
Civic Center Theatre
143 W. Fourth Street
Saint Paul, MN 55102
November 22, 1975 (Saturday)
Greg Overlid aud, unlineaged cassette copy flac2448 shnid-141918
–set I (8 tracks, 81:43)–
s1t01. //Let it Rock// [taper moves seats]
s1t02. Blackbird tuning jam -> Positively 4th Street [11:55] [0:07] %
s1t03. tuning [1:02], All By Myself [8:45] % [0:02]
s1t04. [0:09] They Love Each Other :10-
s1t05. Pig’s Boogie
s1t06. tuning and Nicky Hopkins intro (1), Mississippi Moon
s1t07. Sugaree
s1t08. [0:17] Roadrunner [11:44] (2) [0:11]
–set II (7 tracks, 91:28)–
s2t09. tuning [1:30], How Sweet It Is (To Be Loved By You) [6:19] [0:09] %
s2t10. Catfish John [11:07] [0:07] %
s2t11. Russian Lullaby [8:35] [0:40]
s2t12. Friend Of The Devil
[MISSING: Lady Sleeps > Ol’ Man River {suspected setlist location}]
s2t13. Mystery Train
s2t14. I’ll Take A Melody
s2t15. tuning -> Let’s Spend The Night Together ->
s2t16. Edward The Mad Shirt Grinder [11:15] [0:18]
! ACT1: Jerry Garcia Band #1
! lineup: Jerry Garcia – el-g, vocals;
! lineup: Nicky Hopkins – piano, vocals;
! lineup: John Kahn – el-b;
! lineup: Ron Tutt – drums, vocals.
JGMF:
! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; … = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the “real” time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.
! Jerrybase: https://jerrybase.com/events/19751122-04
! map: https://goo.gl/maps/nYdwPE5yV8J2
! JGBP: https://jerrygarciasbrokendownpalaces.blogspot.com/2012/05/st-paul-civic-center-143-west-fourth.html
! venue: Band itinerary calls it “St. Paul Civic Center Theatre”. Contract cover page also says that, as does contract p. 1. That satisfies me: I am changing the last word of the venue from “Arena” to “Theatre”.
! db: http://etreedb.org/shn/20552 (s1p aud shnf); http://etreedb.org/shn/138733 (3 source compilation); http://etreedb.org/shn/141929 (this source, flac1648); http://etreedb.org/shn/141918 (this fileset).
! band: Jerry Garcia Band #1 (http://lostlivedead.blogspot.com/2012/01/jerry-garcia-band-personnel-1975-1995.html).
! preview: Minneapolis Star, November 7, 1975, p. 9B
! listing: Minneapolis Star, November 18, 1975, p. 4C
! preview: Minneapolis Star, November 20, 1975, p. 6C
! review: Bream 1975, Anthony 1975
! historical: Price $5.50 pre-show/ $6.00 day of show. Cloudy day, high temperature of 37 degrees. JGB guarantee of $5,000 plus $1,250 for lights and sound. Anthony identifies capacity crowd, ca. 2,900, but boxoffice says 2,628, a sellout, gross of $14,454. I had a larger capacity for the room, over 4k, but no source for that info. Promoter John Ballard/Edgewood Agency had taken a bath on the 4/75 Legion gig in Milwaukee, I think, asked for good terms; Zippy didn’t want him to cry over spilled milk.
! R: field recordist: Greg Overlid
! R: field recording gear: 2x Shure 545 microphones > Nakamichi 550 cassette deck
! R: field recording location: front row
! R: first digital circulation of 3 songs from set2- CFJ, RL and ITAM (27 mins of new music)
! R: missing first notes of Mystery Train patched with SHNID-138733
! R: taper notes: “The Jerry Garcia Band / Garcia / Hopkins / Kahn / Tutt / St. Paul Civic Theatre / Saturday, November 22, 1975 / Nakamichi 550 w/Shure 545’s / Sandy / “Tex” / Joey / Greg / Rhesa / Dikel / S & Ggg get stage passes / get in before general admission crowd / get us front row seats / not 10-15th / pulled out at end of first number by usher / talked to John Ballard, prom. / missed 1 to 1-1/2 min. Let It Rock / 1 to 1-1/2 limbo / Nicky Drunk!! / DUBS: Buddy & Nancy / Stu K. / Rhesa / Jeff S./ Russ F./ Dave P. / Jeff C./ Joe S. / Steve B.”
! R: lineage: From the collection of Jeff Knudsen. Recorded by Greg Overlid. Archived & Transferred by Tom Markson. Critical Assistance by John Wenzel, Andrew F. and Joe Jupille. Speed Correction by Jason Chastain. Edited and Mastered by Jamie Waddell, 24 bit 48 kHz.
! R: provenance: Jeff Knudsen has been an avid Jerry Garcia, Grateful Dead and San Francisco Sound music fan for over 40 years. From a letter to Dead Relix Magazine asking for help cultivating a tape collection, Jeff developed a relationship with Dick Latvala and many other tapers, building an enormous music collection. He also taped many Jerry Garcia shows at venerable institutions like the various Keystones. Jeff loved to share tapes in a twinkle of an eye. He was a key player in leaking the Betty Boards back in the day. A few years ago, he decided he should pass his collection on to someone who could properly archive and transfer. After a few years of offering it publicly, there were no takers. In 2008, Arizona LL members Jamie and Tom felt the Knudsen collection was too valuable to let go. After a flight so bumpy that we almost cried, and a great visit, albeit too short, with Jeff… 1200 lbs of tapes, gear and cds were lovingly packed at his Florida homestead. The next era of his beloved collection summer camp for the tapes in the desert… an ongoing process of cataloging and transferring the contents to share. Born from decades of Jeff’s passion for live music collecting and the archival efforts of many, it’s an honor and a privilege to share the Knudsen Tapes with you. Enjoy! originally shared at www.shnflac.net”
! R: this is a really pretty tape. The finger-string interplay is directly audible, and it sounds sweet! Over and over again, strings directly recorded, nothing between them and the mics but air.
! R: s1t01 LIR clips in, cuts out; taper moves seats after the tune. Nicky very prominent – love it! The end cut is a COD.
! P: s1t01 LIR comes in amazing, Nicky truly doing the virtuoso thing right out of the gate. Jerry is filligreeing a lot, matching Nicky who continues to just play some beautiful stuff.
! s1t06 (1) JG: “Nicky Hopkins on piano”.
! s1t08 (2) JG “…take a break”
! P: s2t10 CJ some great glassy picking by ol Jer.
! P: s2t11 RL I love this peppy tempo.
! P: s2t15-16 LSTNT > Edward never really achieves escape velocity. Tutt does a little drum feature late 7 of Edward, which is uncommon and neat.
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