I shouldn’t be mean. But posterity might not recall that many characterized Jerry’s vocal sound in 1985 as resembling Elmer Fudd, so I am doing it for future generations. You can thank me later.
Not much to report. While the Dunsmuir House and Gardens maybe have been a cool place to see Jerry on an August afternoon …
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| Jerry and John in dappled sunlight on the grounds of the Dunsmuir House, Oakland, August 18, 1985. Photo credit: Tim Schonholtz |
… he sounds quite bad on this August 18th while delivering two sub-40 minute sets.
The night before, at the sweet little River Theater in groovy Russian River town of Guerneville, is a little bit stronger, to my ears.
Jerry Garcia and John Kahn
River Theater
16135 Main Street
Guerneville, CA 95446-8301
August 17, 1985 (Saturday) – 9 PM
Corley MAC shnid-20898 shn2flac
–set I (6 tracks, 42:48)–
s1t01. Deep Elem Blues [7:29] [0:08]
s1t02. Little Sadie [4:57]
s1t03. Valerie [6:14] [0:37]
s1t04. Friend Of The Devil [7:31] [0:08]
s1t05. Simple Twist Of Fate [10:33] ->
s1t06. Run For The Roses [4:50] (1) [0:22]
–set II (6 tracks, 40:12)–
s2t01. [0:46] When I Paint My Masterpiece [7:19] [0:10]
s2t02. I’ve Been All Around This World [6:15] [0:06]
s2t03. Jack-A-Roe [4:27]
s2t04. Bird Song [11:23] [0:07]
s2t05. Gomorrah [5:08]
s2t06. Ripple [4:23] (2) [0:07]
! ACT1: Jerry Garcia and John Kahn
! lineup: Jerry Garcia – ac-g, vocals;
! lineup: John Kahn – ac-b.
JGMF:
! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; … = fade in/out; # = truncated timing; [m:ss] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the “real” time of the event. So, a timing of [m:ss] right after a song title is an attempt to say how long the song really was, as represented on this recording.
! Jerrybase: https://jerrybase.com/events/19850817-01
! JGC: https://jerrygarcia.com/show/1985-08-17
! db: https://etreedb.org/shn/20898 (this fileset)
! map: https://goo.gl/maps/dYyvu55qka62
! JGBP: http://jerrygarciasbrokendownpalaces.blogspot.com/2012/06/river-theatre-16135-main-street.html
! R: field recordist: John Corley
! R: field recording gear: 2x Nakamichi 700 > Sony TC-D5M
! R: lineage: MAC > ? CD > DAE (EAC0.9b4, offset corrected, secure mode QPS QUE2410) > editing (SF6) > tracking (cdwav editor) > sector boundaries confirmed (shntool) > SHN (shorten3.4) via C.Ladner. Thanks to J.Powell for the source CDR. misSHN in the rain, 12/03.
! R: seeder comments: Very clean recording without any significant flaws other than intermittent loud close up audience noise. s1t01 – master recording levels during the first 25 seconds were extremely low, i applied a +10 dB gain to this small segment using SF6 to bring it line with the remainder of the recording.
! P: s1t01 DEB voice already sounding rough
! P: s1t02 Sadie second verse he sings “standing on a corner” twice, then gets to “oh yes, sir”, so a flub but a recovery.
! s1t06 JG: (1) We’re gonna take a little break. We’ll be back in a few minutes.”
! P: s2 Elmer Fudd most definitely in the house. Almost can’t sing Bird Song at all. Ouch.
! P: the set II vocals are … not good. But, then again, you knew that.
! s2t06 (2) JG: “Thanks a lot. See ya later.”
~~~~~~~~~~
Jerry Garcia and John Kahn
Dunsmuir House and Gardens
2960 Peralta Oaks Ct.
Oakland, CA 94605
August 18, 1985 (Sunday) – 3 PM
Menke MAC MOTB #0210 flac2496
–Set I (6 tracks, 35:00)–
s1t01: [0:05] Deep Elem Blues [6:56] [0:02]
s1t02: Friend Of The Devil [6:25] [0:08]
s1t03: [0:17] Little Sadie [6:51]
s1t04: Valerie [6:15] [0:03]
s1t05: I’ve Been All Around This World [4:59] ->
s1t06: Run For The Roses [4:49] [0:11]
–Set II (6 tracks, 38:25)–
s2t01: [0:30] When I Paint My Masterpiece [6:02] [0:04]
s2t02: Jack-A-Roe [4:31] [0:09]
s2t03: Bird Song [9:52] [0:04]
s2t04: Gomorrah [5:37] ->
s2t05: Ripple [4:19] (2) ->
s2t06: Goodnight Irene [6:52] (3) [0:25]
! ACT1: Jerry Garcia and John Kahn
! lineup: Jerry Garcia – ac-g, vocals;
! lineup: John Kahn – ac-b.
JGMF:
! Recording: symbols: % = recording discontinuity; / = clipped song; // = cut song; … = fade in/out; # = truncated timing; [ ] = recorded event time. The recorded event time immediately after the song or item name is an attempt at getting the “real” time of the event. So, a timing of [x:xx] right after a song title is an attempt to say how long the song really was, as represented on this recording.
! Jerrybase: https://jerrybase.com/events/19850818-01
! JGC: https://jerrygarcia.com/show/1985-08-18
! db: https://etreedb.org/shn/13520 (this master, shnf, deprecated); https://etreedb.org/shn/88019 (Holtz Nak 100s MAC flac1644); https://etreedb.org/shn/88020 (Holtz Nak 100s MAC flac2496); https://etreedb.org/shn/98629 (Taz Yamaguchi and Jamie Poris MAC); https://etreedb.org/shn/141508 (supposed CSBD); https://etreedb.org/shn/141509 (supposedly Sandy Troy MAR); https://etreedb.org/shn/149863 (Jonathan Mow MAC flac1644), https://etreedb.org/shn/149864 (Jonathan Mow MAC flac2496).
! map: https://goo.gl/maps/93RVX3dF7812
! R: field recordist: Bob Menke
! R: field recording location: 15′ from stage slightly off-center
! R: field recording gear: 2x Nakamichi CM 700 > Sony TC D5M
! R: field recording media: Maxell MX 90
! R: Analog Sound Preservation: MAC > Nak DR-1 > Korg at 5.6 mhz. Transfer By: Bob Menke. Mastering By: Derek McCabe.
! R: MOTB Release: #0210 24/96, release date 2012-08-19. Note: “flacs are tagged, enjoy!”
! P: s1t06 RFTR is deeply painful to listen to. Garcia absolutely crashes as this song begins, and he barely brings it to the finish line.
! s1t06 (1) JG: “We’re gonna take a break for a few minutes, come back. Tune up, and stuff.”
! P: s2t03 Bird Song in the 4-minute mark, Kahn is doing some really interesting and unusual modal-sounding stuff. As they round the 5-minute mark, he’s still playing very creatively. I am not sure he’s pulling it off, mind you, but he’s trying. In the first half of the five-minute mark, Jerry hits several clammy notes, to my ears. Not that they don’t work with what John’s doing, but that they don’t work with what Jerry’s doing.
! R: s2t03 are those speed warbles in the 6-minute mark, or is Jerry really playing that shit? E.g., 6:58-6:59?
! s2t05 (2) JG: “Thanks a lot.”
! song: Goodnight Irene (s2t06): I have always wondered if, in singing the “jump overboard in the river and drown” line, Jerry became 4 year old Jerry, little Jerry, and replayed his father’s drowning in the Russian River. One would think not, because that would seem a little morbid, to say nothing of painful, for our boy. But maybe he didn’t go there. Or maybe he went there and he was OK. But it’s hard to imagine that a person imprinted with that memory, that vision, wouldn’t go there. Who knows.
! P: s2t06 GI The acoustic setting lets Jerry not oversing too badly, as of course he’d have to do with the Grateful Dead, and to a lesser extent, with his electric band. In that sense, and because the tape is so clean, we get another view on Garcia’s voice in August 1985. He sounds better than he did in the GD, that’s for sure. But it ain’t entirely pretty. He is very limited, and his talking and singing voice both have the nasally, I-just-shredded-my-already-bleeding-sinuses timbre characteristic of Crosby’s voice during this same time period, as well as a certain wascawwy wabbit huntew. Just Say No to Cocaine, Kids.
! s2t06 (3) “Thanks a lot. See y’all later.”
! P: Total show time 73:26. Brutal, Jer.
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